![]() Still there's a faintly audible pulse but I think I can live with it. With this: var env = EnvGen.ar(Env(,, \sin), levelScale: amp, doneAction: 14) A dam or barrier traps a large body of water brought in by the tides. ![]() Finally I tried forcing the fadeTime to zero by replacing the dirt_gate synth and overwriting this line: var env = EnvGen.ar(Env(,, \sin), levelScale: amp, doneAction: 14) Tidal range technology uses the same principles as hydropower. I tried adjusting the fadeTime and fadeInTime values but it didn't change anything. Which led me to this discussion about dirt_gate. (I guess that's what you meant by "the signal is doubling on itself during the start/end of a loop.") I restarted SC with s.plotTree to observe the nodes being generated, and found this: They occur exactly halfway between the spring tides, when the Moon is at first or last quarter. 1.4 Disaster > 1.4A Definitions 1.4B The PAR Model 1.4C Impacts of Tectonic. What are the characteristics of a neap tide Neap tides are tides that have the smallest tidal range, and they occur when the Earth, the Moon, and the Sun form a 90 o angle ( Figure here ). That got me thinking, perhaps what I'm hearing is actually two overlayed synths outputting the same DC voltage, which is getting summed. Tidal range is the distance between high tide and low tide. To produce energy, tidal generators need fast currents or a sizable swing in sea level between high tide and low tide. Then just for fun I tried longer legato values, and found that 1.1 changes the pops into peaks with what looks like double the voltage (compare min/max values): For tidal-power generation, location is everything. The closest was 0.995 which gave me this: The hierarchy of availability is HiRes FLAC, then MQA (Master Quality Authenticated), then FLAC, then AAC (compressed audio), meaning that, if we dont have the. I played around with it but couldn't quite smooth it out. Legato of 0.95 created an audible gap between each note.
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